Picasso

Pablo Picasso was probably the most influential ultramodern painters of the 20th century. intrinsic in Spain, he lived in France much of his life painting, sculpting, earn ceramics, and doing graphic art have. His style was quite avant-garde and unique, and he changed it legion(predicate) times during his career. Picasso was one of the artists to lay the foundations for Cubism, a style that do angular, cube-like structures to depict mass and things. He loved to shock the sympathetic race with his strange, powerful paintings, drawings, prints, and sculptures. Picasso was among the first to make collages by pasting visible onto the canvas. Before his fiftieth birthday, the Spaniard from Malaga had become the very prototype of the modern artist as public figure. No painter out front him had had a view audience in his own lifetime. Picassos audience--meaning people who had heard of him and seen his work, at least in reproduction--was in the tens, by chance hundreds, of mill ions. He and his work were the subjects of analysis, gossip, dislike, adoration and rumor. He was a superstitious, satirical man, sometimes foetid to his children, often mean to his women. He had condescension for women artists. His famous commentary about women being goddesses or doormats has rendered him painful to feminists, but women tended to walk into both roles open-eyed and eagerly, for his charm was legendary.

He was also politically lucky. though to Nazis his work was the epitome of dissipated art, his fame protected him during the German origin of Paris, where he lived; and after the war, when artis ts and writers were popular opinion disgrac! ed by the slightest standstill with Nazism or fascism, Picasso gave vehement endorsement to Joseph Stalin, a intensity murderer on a scale far beyond Hitlers, and scarcely received a word of criticism for it, nonetheless in cold... If you want to spoil a full essay, revisal it on our website: BestEssayCheap.com

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